The special is part documentary and part stand-up with comedians who will tape at a repurposed drive-in movie theater in Brooklyn to allow audience members to enjoy the show while social distancing.

A short film "Parking Lot" is examining the theme of "emotional hygiene" through the perspective of friendship.

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Colin Quinn returns to the stage in "Unconstitutional" where he tackles 226 years of American Constitutional calamities in 70 Minutes.

What happens at a tailgate party before a Metallica concert? Part music video, part acid trip, this adventure is a jam-packed frenzy with surprise cameos and an original score by Metallica.

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Donald Trump Parking Lot, a tribute to the classic Heavy Metal Parking Lot, documents one of your more unappealing tailgate parties. In it, we learn what the younger generation thinks about immigration and children without access to clean water. Commissioned by Skyhorse Publishing to promote the book The Gilded Rage: A Wild Ride Through Donald Trump’s America.

Tough Crowd with Colin Quinn was a comedic talk show which aired on Comedy Central from 2002 to 2004. The show featured host Colin Quinn and a panel of comedian guests, discussing politics, current events, and social issues.

In LONG STORY SHORT, Colin Quinn focuses his articulate brand of comedy on the demise of empires, including our own. More than standup comedy, LONG STORY SHORT is a hilarious blend of incisive observation, sharp commentary, and Colin's channeling of the personalities of the past. From Socrates to Snooki, Quinn is at his satirical best, taking on the attitudes, appetites and bad habits that toppled the world's most powerful nations. Long Story Short proves that throughout human history, the joke has always been on us.

Quinn dissects the infamous New York character, variously describing them as rude, opinionated, pushy, loud, fast-talking, sarcastic, wise-assed, abrupt, rude-polite, and above all, politically incorrect. That last one’s not a surprise coming from Quinn, long a purveyor of the “everyone’s too sensitive” school of “tell it like it is” comedy. Fortunately, his curmudgeonliness is more good-natured than some of the more toxic practitioners of the form. Quinn’s grousing is more an affectionately exasperated head tilt than the full-on assaults that other comics launch against “PC culture”—sneering attacks at the likes of feminists, civil rights activists, and basically anyone who